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Mission San Jose: The One in Fremont Where Estanislao Lived🌄

Moving along the El Camino Real1, I made my visit to Mission San Jose last month. I naturally assumed by its name that it was located somewhere in San Jose. Interestingly enough, it’s actually located in the city of Fremont!

Getting to Mission San Jose

Unless you already live in or nearby Fremont, I think the best way to get to the city is by car or BART. I chose to ride the BART train, which conveniently brings you to Fremont station.

The Fremont BART station.

Once you arrive, exit to the East Plaza where there’s a bus bay for AC Transit buses:

I took Bus 211, which takes you straight to the Old Mission. The distance from the BART station to the Mission is only about a 10 minute drive, but it takes about 20 minutes by bus. That being said, it’s a pleasant ride through the city. You’ll pass by a high school and street named after the Mission, along with mission-style buildings:

Mission San Jose High School.
Check out this mission-style McDonald’s!
Mission Boulevard. Along the road was this monument marked “Mission San Jose 1797 Fremont California” along with El Camino Real mission bells.

First Impressions

Mission San José, August 2025.

As Google Maps advised, I got off at Mission & Washington Blvd. and faced up close the Mission I had only seen in pictures. I have to say, it was so much larger than I had expected! I think it’s actually bigger than Mission Dolores and Mission Santa Clara. Facing it up close, Mission San JosĂ© was a giant, white block of a chapel, uniquely imposing in its simple grandeur.

The Mission was right on a busy road and atop an elevated area, below regional parks and mountains like Mission Peak. Unlike Mission Dolores and Mission Santa Clara, it also had a long, semi-circle flight of stairs:

It was large also in terms of its extent. Per this map stationed at the front, the Mission Church was part of a complex of buildings that included a separate visitor’s center called, “Pilgrim Center,” a museum, cemetery, St. Joseph Main Church, Dream Garden, St. Joseph School, and more:

Map of St. Joseph Catholic Church/Mission San Jose & Diocesan Shrine of St. Joseph.

With so many spots to check out, I wasn’t sure where to head to first. But since my main focus was the Old Mission, I decided to go where the “Mission San Jose” signage was pointing to: the Pilgrim Center.

The Pilgrim Center & Mission Museum.

Pilgrim Center (Visitor’s Center & Gift Shop)

Walking up the ramp and passing by adorable (and maybe historic?) benches, I arrived at the entrance to the Pilgrim Center.

*NOTE: Mission San José, its Pilgrim Center & Museum are all closed on Mondays and Tuesdays. Click HERE for the hours.

When I pushed open the wooden door, I was immediately met with this view of historical artifacts, timeline, and an informational video playing in the background:

What you see right when you enter the Pilgrim Center. There were wooden benches for visitors to watch the informational video and/or rest. Link to video: https://www.youtube.com/watch?v=D80FaxvbDTA

On the left-hand side was the entryway to the Gift Shop:

Informational one-pagers on the Mission along with relevant books.
The Gift Shop was a large room selling items for both religious Catholics and visiting tourists. The room beyond it looked like the Mission Office, but it seemed only open to staff.

There were souvenirs like magnets, keychains, crosses, postcards, and more. (Some items are even available for purchase online! Link to Mission San Jose Online Gift-Shop: https://oldmissionsanjose.square.site/)

The cash register area where you can purchase your California Missions Passport (with the Mission San José cover) and get your stamp!

On the right was the front area for purchasing admissions tickets and entering the Museum:

And while I didn’t have to for Mission Dolores, I needed to check in my backpack before entering the Museum. (I was allowed to take my small bag with me, though.) The staff at the front also handed me this high-quality pamphlet:

The visitors’ guide pamphlet.

Admission for one adult was $15, which costs more than the admissions ticket at Mission Dolores. But as I’ll share later, it was totally worth it!

Before proceeding with my self-guided tour (or reading the pamphlet for that matter), I had to linger a while to look at all the artifacts and paintings displayed in the Pilgrim Center. I hadn’t even begun my self-guided tour yet but was already flooded with so much history!

Wooden priest wearing robe and sandals next to plaque commemorating Fray JunĂ­pero Serra, presented by Serra International.

And before a comprehensive review of the Mission Museum, here’s a brief history of Mission San JosĂ©!

History of Mission San José

The Beginnings

Founded on June 11, 1797, Mission San JosĂ© was the 14th of the 21 Spanish missions established in California. It was founded by FermĂ­n de Francisco LasuĂ©n de Arasqueta, a Basque Franciscan missionary. Born in Vitoria, Spain on June 7, 1736, FermĂ­n Francisco de LasuĂ©n became a Franciscan priest in 1752. Serving as a missionary in Mexico and then in California, he spent the rest of his life in California until his death at Mission San Carlos Borromeo in Carmel-By-The-Sea. As Junipero Serra’s successor as president of the California missions, LasuĂ©n established 9 more missions after Serra’s death.

Portrait of Father Fermín Francisco de Lasuén inside the Mission Museum.

Mission San JosĂ© came after Mission Nuestra Señora de la Soledad and before Mission San Juan Bautista (both founded by Fermin Francisco de Lasuen.) What’s interesting about the California missions is that they weren’t established in geographical order. One would assume Mission San JosĂ© was founded after its closest neighbor, Mission Santa Clara, but it wasn’t.

Drawing of Mission San JosĂ© at the Mission Museum. It was shown in the San Francisco Sunday Chronicle.

Ties to Mission Santa Clara

Drawing of Mission Santa Clara at the Mission Museum. It was also shown in the San Francisco Sunday Chronicle.

However, Mission Santa Clara, which was founded 20 years earlier, was crucial to Mission San JosĂ©’s beginnings. It was the Native Americans who had already been baptized at Mission Santa Clara who built Mission San JosĂ© and became part of the new community in Fremont, area known back then as Oroysom.

According to Francis Florence McCarthy’s The History of Mission San Jose, Mission Santa Clara even sent a gift of “600 cows, 4 teams of oxen, 3 mules, 4 tame horse, 2 bulls, 28 steers and…a flock of 78 sheep, 2 rams, and 20 other sheep.”

And it was Father Magín Catalå of Mission Santa Clara who performed the first baptism at Mission San José, to a Native American woman named Josefa. (To read about Magín Catalå and Mission Santa Clara, click HERE.)

Copy of the 1797 Baptism Register displayed inside the Museum.

But Why Mission “San JosĂ© “?

You may wonder as I did: why is the Mission called, “Mission San JosĂ©” when it’s not even in San Jose? I found out that it’s because the Mission is named after St. Joseph, the stepfather of Jesus and husband of Mary, just as the city of San Jose is. Because St. Joseph is the patron saint of pioneers, many of the early settlements in California were founded in his honor.

Stained Glass window art of St. Joseph and baby Jesus. Photo by Josh Applegate.

So, that’s why: Mission San JosĂ© and the city of San Jose are both named after St. Joseph. (He also happens to be one of Santa Clara University’s patron saints, along with St. Clare of Assisi and St. Ignatius of Loyola.) This is explained inside the Mission Museum, along with more interesting facts:

The full name of the Mission was “La Mision del Gloriosisimo Patriarch San Jose.” But according to the visitors’ guide, it is now known as “the parish of St. Joseph Catholic Church, Mission San JosĂ© of the Diocese of Oakland.”

Early Years

Earliest drawing of Mission San José. By Captain William Smyth, 1826. Displayed inside the Mission Museum. To view it digitally, click HERE.

During its early years, Mission San José was where Franciscan missionaries taught the Ohlone Native Americans Christianity and Spanish ways of life, including cattle and wheat farming. The very first missionaries arrived at the Mission on June 28, 1797, about 2 weeks after its dedication.

Earliest photograph of Mission San José, 1852. Displayed inside the Museum. For more historical photos & drawings of the Mission, visit: https://www.saintjosephmsj.org/mission-images-of-mission-san-jose/mission-historical-drawings/
Lithograph of Bay Area Native Americans (based on watercolor by Louis Choris), 1816.

From just 33 Native Americans in 1797, the Native American population in the Mission reached 1,886 by 1831. But the population fell drastically after epidemics; about 80 percent of the Native Americans in the Mission died due to European diseases. The Mission recruited diverse Native American groups to maintain itself (as it was the Native Americans who did all the work at the Mission), and it soon became a hub of different Native American peoples, including the Ohlone; Bay, Coast, and Plains Miwoks; Yokuts; and Delta Yokuts. With its diverse population, Mission San José thrived and became prosperous from all the ranching and farming.

Drawing of Mission San José by Henry Miller (1857), displayed in the Museum.

The Native American Perspective

What’s fascinating and heartbreaking at the same time is what the Native Americans experienced. They came in contact with people and animals like horses that they had never seen before. Intrigued and hospitable to the newcomers, they traded goods with them and eventually worked at the Mission during the day while living in their villages. But when diseases killed large numbers of their population and livestock grazing disrupted their livelihood, they had no choice but to live at the Mission, where they were expected to work and participate in religious activities.

What becomes more tragic is that neophyte2 Indians could not leave the Mission without permission once baptized. Even if they were allowed, they had to return no matter what; otherwise, soldiers would be sent to catch them. Their freedoms were further restricted in other ways. They were rebuked and/or punished when they didn’t obey orders, and Priest Pedro de la Cueva confiscated ornaments and other items related to ritual dancing, giving them back only when he allowed a performance. (But the Native Americans at Mission San JosĂ© fared better than those at Mission Santa Cruz, who were even whipped when they didn’t follow orders!)

Photo by Wolfgang Hasselmann.

And again, Native Americans did all the work at the Mission, from constructing it to farming, weaving, cooking and more.

The work of Franciscan missionaries who risked their lives to spread the Christian faith is incredible. Though there were unexemplary priests, there were those who actually followed Christ and lived sacrificial lives, treating the Native Americans with love. Yet, because the missions were part of Spanish Empire’s goal of subjugating Native Americans, they had inherent elements that reflected its imperial nature.

Photo by Adolfo Félix.

Accounts from Explorers

Did you know that explorers from Russia set foot in the Bay and its missions? I knew about their explorations in the Arctic and Alaska but I had no idea that they actually traveled all the way down to Fremont! And these explorers wrote and drew about missions like Mission Dolores and Mission San José, along with the Native American inhabitants:

Russian explorer Nikolai Rezanov (left) & German naturalist Georg von Langsdorff (right).

🧭A Russian count named Nicolai Rezanov led an expedition into the San Francisco Bay in 1806 and had a chance to visit Mission San JosĂ©. German naturalist/physician Georg von Langsdorff was there to write all about it in his book, Voyages and Travels in Various Parts of the World, During the Years 1803, 1804, 1805, 1806, and 1807 (talk about a long title!) Below is his drawing of the dancers he saw at Mission San JosĂ© in 1806 along with a diorama at the Mission Museum showing dancer figures as depicted by Langsdorff:

HERE is a better photo of Langsdorff’s drawing.

🧭In addition to Rezanov and Langsdorff, there were Otto von Kotzebue and Louis Choris.

Baltic German naval officer Otto von Kotzebue (left) & German-Russian artist Louis Choris (right).

Kotzebue visited the Bay Area multiple times during his voyages to find a sea route through the Arctic. Louis Choris was the expedition artist who accompanied him, and many of his drawings are shown throughout the Mission Museum:

To view better photos of the drawings above and for more works by Choris, visit the official Muwekma Ohlone Tribe website at: https://www.muwekma.org/customs-traditions.html

Secularization & Rancho Era

Just like the rest of the California missions, Mission San JosĂ© was secularized in 1836 after Mexico’s revolution in 1821 ended Spanish colonial rule. And like the rest, it fell into decay. The Mexican Governor appointed administrators to take over the Mission, divided up mission lands into “ranchos” and gave them out to powerful families.

First administrator of Mission San JosĂ©, Jose de Jesus Vallejo. He wrote that “many men of little scruples” defrauded Native Americans of “what was justly theirs as parceled out by the authorities.”

The ecosystem as well as the buildings of what had once been Mission San José deteriorated. And the Native Americans who had lived at the Mission were unable to claim the lands held in trust for them by the Franciscan friars. While some worked at the ranchos and at the San Jose Pueblo and those who recently joined the Mission returned back to their villages, many died of starvation and disease.

To summarize, Mission San JosĂ© started out as a mission where Franciscan missionaries shared their faith with the Native Americans of the Bay, under the rule and provision of the Spanish Empire. Then the Mexican government took over the Mission, secularized its lands and gave them out to Californio3 families, ushering in the Rancho Era. It experienced even more changes when the Mexican-American War of 1846 broke out. American settlers from the east arrived in large numbers and squatted on the lands of the Californios. Then with America’s victory and discovery of gold in 1848, a record number of immigrants flooded into California.

Gold miners at miner’s camp in El Dorado, California. Photo from the Library of Congress. Per Remembering California Missions by Janice Stevens, Gold Rush miners called the Mission “Mission San Joe” (77).

California Statehood

With California’s statehood in 1850, the Mission’s ecosystem and landscape forever changed. It was used as a store/saloon until the American government returned a small part of the Mission land back to the Catholic Church. And in 1865 under President Lincoln’s leadership, some missions, including Mission San JosĂ©, were given back to the Catholic Church.

Tragically for the Native Americans, their plight “became nothing short of hell,” with the arrival of the early Anglo pioneers as they faced slavery, disease, liquor, massacre, and genocide (from Jack Holterman’s “The Revolt of Estanislao” in Indian Historian 3.1, p54).

Photo of Mission San José, circa. 1866 by Thomas Houseworth & Co. From the Library of Congress.

More History: Chief Estanislao

Before visiting Mission San JosĂ©, I did a quick search online and read that there was this Native American leader named “Estanislao” who led hundreds in a revolt. I couldn’t find much info on Estanislao throughout my visit except for this one-pager that mentioned his name once:

One-pager titled, “Unrest at the Mission.” I’ve digitally highlighted Estanislao’s name, which is mentioned just once.

But I think his story deserves more than just a quick mention!

Life of Estanislao

Born in present-day Modesto, CA, Estanislao was called “Cucunuchi” before being baptized as “Estanislao.” Some sources, like A Cross of Thorns by Elias Castillo and Jack Holterman’s “The Revolt of Estanislao,” say that he was born at the Mission with some Spanish ancestry. He was part of the Lakisamni tribe of the Yokuts people and lived on the banks of the Stanislaus River, known back then as “RĂ­o de los Laquisimes.”

The Franciscan missionaries invited Estanislao to receive a Christian education at Mission San JosĂ©, and in 1821, he was baptized at the Mission. While living in Mission San JosĂ©, he was an “alcade,” or a municipal magistrate appointed to oversee other Native Americans. Various contemporaries wrote about him, pointing out that Estanislao stood out both in his appearance and abilities.

“About six feet tall, a bit more fair in
complexion than usual, a man of athletic physique
with a face well bearded and an air of gallantry on
horseback-such was Estanislao.”

From Jack Holterman’s Article, “The Revolt of Estanislao.” 1970.

I couldn’t find any paintings of Estanislao, so I drew him myself, after a statue in Modesto, CA.

The Revolt

When Estanislao and other Lacquisamnes were given permission to visit their native homes in the fall of 18284, they decided not to return. Estanislao wrote a letter to Friar Narciso DurĂĄn announcing their decision:

“We are rising in revolt… We have no fear of the soldiers, for even now they are very few, mere boys… and not even sharp shooters.”

Estanislao’s message to DurĂĄn. From Robert H. Jackson and Edward Castillo’s book, Indians, Franciscans, and Spanish Colonization: The Impact of the Mission System on California Indians.

Leading other baptized Native Americans back to their lands, Estanislao revolted against the Mexican government and the missions. He joined forces with other Native Americans who had also been abused, including those from Mission San Juan Bautista and the notorious Mission Santa Cruz. A Native American leader from Mission Santa Clara named Cipriano and his followers also joined him.

“You will tell our good Father that from now on our real exploits begin. Soon we shall fall upon the very ranches and cornfields… And for the troops, now as always, we have nothing but contempt and defiance!”

Message from Estanislao to DurĂĄn, delivered by a neophyte named Macario. From Elias Castillo’s A Cross of Thorns: The Enslavement of California’s Indians by the Spanish Missions.

Surrender & Forgiveness

Though they fought bravely and were able to withstand attacks from the Mexican army multiple times, Estanislao and his followers eventually had to surrender.

On May 31, 1829, Estanislao returned to Mission San JosĂ© and asked Narciso DurĂĄn for forgiveness. Friar DurĂĄn forgave Estanislao and his men, petitioning Governor JosĂ© MarĂ­a de EcheandĂ­a to forgive him as well. DurĂĄn also charged the commander Ensign Mariano Guadalupe Vallejo with the atrocities he and his men had committed against Native American civilians during their attempts to capture Estanislao. Though there was a hearing ordered by the Governor, only one soldier was charged with the crime of killing a woman and sentenced to just five years of servitude.

With the pardon granted on October 7, 1829, the short-lived revolt by Estanislao came to an end.

Returning to Mission San José, Estanislao taught Yokuts language and culture until his death. Along with the exact details of the final years of his life, the date and cause of his death vary. Some sources write that he passed in 1839 during a malaria epidemic while others state that it was in 1838 due to a smallpox. I also came across a book that said it was in 1832 when he died of smallpox.

Significance of Estanislao’s Story

Local History

I think Estanislao and his story are significant for a number of reasons. First of all, Stanislaus River and County are all named after him. Per Historic Modesto, the battles between Chief Estanislao and the Mexican army took place by the Stanislaus River. Meaning “glorious” in Slavic, Stanislaus is the original for the Spanish name of “Estanislao.” From Stanislaus River, Stanislaus County and other names like Stanislaus National Forest and California State University, Stanislaus followed.

Native American History

Secondly, Estanislao’s revolt shows the plight Native Americans experienced with the arrival of new settlers. As mentioned earlier, they weren’t allowed to leave the missions whenever they wanted. Not only that but they were forced to work and abide to rules enforced on them, being punished if not obeying. And many of these rules being forced upon them went against their old ways of living, including traditional marriage practices. Situations in the missions had become so bad that Native Americans had to take the matters into their own hands. Estanislao’s revolt gives insight to what they had to endure and what they did to protect the loss of their freedom, dignity, and culture.

Photo by Cristian Siallagan.

*It’s important to note that Estanislao and his followers fought to fend off the Mexican army and protect their freedoms. According to the Stanislaus River Archive, there is “no indication in the records that his rebellion against the Mexicans and Spanish ever involved attacking others, just defending his freedom against the attacks aimed against him.” Despite this, there were casualties on both sides. And Native American civilians, including elderly women, were murdered when Commander Vallejo and his men “viciously lash[ed] out at any Indian they found” (Castillo 188).

Not only was there Estanislao’s Revolt at Mission San JosĂ© and Cipriano’s uprising at Mission Santa Clara, but there were also a host of other rebellions: at Mission Dolores (led by Pomponio in the early 1820s), another one at Mission Santa Clara led by Yozcolo (a Lacquisamne alcalde like Estanislao), and virtually at all the missions. As written by the author Elias Castillo, these Native American rebellions like Estanislao’s revolt are testaments of individuals “willing to sacrifice their lives to try to halt an inhumane system” (190).

Fremont, CA. September 2025.

Effects of True and False Christianity

Thirdly, it’s a clear example of how true Christian way of living brings different peoples together while false Christian way of living tears society apart. Many Native Americans welcomed the newcomers into their lands, and accepted the Christian faith that the Franciscan missionaries shared and taught. They respected those who truly followed Jesus in their ways of living, including Father MagĂ­n CatalĂĄ of Mission Santa Clara.

It was when so-called priests forced obedience upon the Native Americans and punished them (with whips!), and when foreigners subjugated and treated them with no dignity that the Native Americans took initiatives to protect themselves. Estanislao’s revolt exemplies the effect of false and true Christianity, from the eruption of conflict to the reconciliation at the end.

It shows that different cultures, nations, and peoples can only become one in truth, love, and forgiveness: in Christ.

Interesting Facts About Mission San José

🌉Mission San JosĂ© is the only mission on the east side of the San Francisco Bay.

â›ȘIt’s the second largest mission, right after Mission San Luis Rey. (It definitely felt bigger than Mission Dolores and Mission Santa Clara at first glance!)

🐄Mission San JosĂ© was not only one of the biggest, but also one of the most prosperous. Per the Mission Museum, there were 12,000 cattle, 13,000 sheep and 13,000 horses in 1831. It’s hard to imagine that there were that many livestock at this site once upon a time:

Up this slope is Mission San José & the Mission Museum.

đŸŽŸïžThe Mission San JosĂ© museum building is the only surviving structure from the original 1809 Mission.

đŸŽŒMusic played a big role at Mission San JosĂ©. While Native Americans of the area had their own music and instruments like timbrels, whistles, flutes, and rattles, they were attracted to those brought by the Spanish missionaries. Friar Narciso DurĂĄn (the one who forgave and accepted Estanislao back to the Mission) led the way of teaching Spanish and religious music. From 1806 to 1833, he composed music and organized Indian choir, orchestra, and concerts, launching Mission San JosĂ©’s musical fame throughout California.

19th century engraving of Narciso DurĂĄn and Native American girl, displayed inside the Mission Museum.
Page copied from the 1813 choir book by Narciso DurĂĄn, accompanied by information on Mission San JosĂ©’s musicians. To view a digitized version of DurĂĄn’s choir book, check out Santa Clara University’s “Mission Santa Clara Music Manuscripts” collection HERE.

The Mission Museum

Now, back to the Mission Museum. Once the convento or sleeping quarters of the Franciscan friars, the Mission Museum is a series of rooms connected by small openings. Each room has a theme like “The Franciscan Journey,” that details the lives of Franciscan missionaries or “The Ohlone Indians: The Indian Way,” that explains everything about the original inhabitants of the area.

Map shown on the visitors’ guide.

Room #2 “Divine Pilgrimage: The Holy Family”

The first room you get to once you enter the museum is the “Divine Pilgrimage: The Holy Family” room.

It’s a white room filled with Biblical paintings and drawings, from a portrayal of Noah’s Ark to series of artworks detailing Jesus’s crucifixion.

Noah’s Ark on the Mount Ararat by Simon de Myle (1570).
These panels portraying Jesus’s crucifixion were hung above around the room. They’re very similar to the lamps inside Mission Santa Clara’s chapel.

I loved seeing all the artworks showing the people and events leading up to Jesus’s resurrection. But as a historian, I personally was disappointed to find that some of them were just replicas, not the original/historical works. For instance, Noah’s Ark on Mount Ararat is a copy of the original oil painting that was acquired by Sotheby’s from the Neger Gallery. And some were obviously recent works created by modern artists, like this artwork:

Artwork showing Moses and the Burning Bush.

Nonetheless, the information displayed in the room was organized well and great to view:

I especially enjoyed seeing actually historical artifacts, like this cupboard:

The small notice behind the display glass says that the “Historic Cupboard” was “built directly into the wall.” It also says that the room with this built-in cupboard (Room #2 of the Museum) was likely a dining room used by the Franciscan missionaries.

Room #3: “The Franciscan Journey”

The next room titled “The Franciscan Journey” was designed like a Franciscan missionary’s room. Showing an open Bible on a wooden desk, narrow bed, crucifix, and a Franciscan habit (clothing), this room gave a glimpse of what the lives of Franciscan friars looked like:

There were these QR codes you could scan to learn about the objects on display and about the Franciscan missionaries who risked their lives journeying across the globe to share their Christian faith.

Along with portraits of important Franciscan missionaries like JunĂ­pero Serra and FermĂ­n Francisco de LasuĂ©n and an entire section on Father Narciso DurĂĄn, there was a crucifix called, “The San Damiano Cross” hanging on the wall.

The San Damiano Cross.

Per the accompanying description, the San Damiano Cross was the cross before which St. Francis of Assisi (founder of the Franciscan order) had prayed to. It was said that in 1206, St. Francis received a vision from Jesus, who instructed him to rebuild the Church. I thought that this crucifix, unlike some of the paintings in the museum, was the actual historical artifact. But I found out afterwards while doing research that it’s not!

The actual crucifix is in the Basilica of Saint Clare in Assisi, Italy today. Besides this confusingly authentic-looking replica at the Mission San José Museum, another replica also hangs inside the church of San Damiano, the site where St. Francis received his commission from God.

The California Missions Room

The fourth room, titled “21 California Missions,” was an entire space dedicated to the 21 California missions. The walls were decorated with illustrations and info on each of the 21 missions:

Plus, there was this neat miniature model of Mission San José:

The note reads: “Presented to the Mission San Jose Museum July 31, 1988,” “Built & Donated By Twelfth Nighters Miniature Club of San Jose, CA.”
I mean, just look at the details! 👀

As I’ll share down below, the above miniature is a very good model of the actual Mission Church.☝

From the “21 California Missions” room, you can either go to Room 5 or Room 9. I recommend following the order of the rooms and heading to Room 5, as you’ll be heading towards the exit from Room 9.

The Native American Room

The fifth room, titled “The Ohlone Indians: The Indian Way,” was packed with artifacts, drawings, and information all about the Native Americans who lived in the area before the Spanish arrived. I mean, it was literally an explosive display of artifacts! (I hope they were all or at least mostly actually historical.) There was just so much to view that I began to realize why there was an entire building serving as the Mission Museum. And as a history lover, I thought that this room alone made the $15 admission fee worth it!

This diorama in the middle of the room showing the Ohlone Indians living their lives was a nice touch to the exhibit:

I think I even spotted some of the artifacts on display being used by the figures inside the diorama!

Aside from the ancient baby carriers, another interesting artifact were these sticks used in games:

Marked sticks used in games.

Very similar artifacts were shown inside the one-room museum at Mission Dolores (click HERE to view the blog post). And sure enough, the accompanying note explains that these stick games were played by many different tribes in the Bay Area, including those at Mission Dolores:

This drawing shows Ohlone Indians at Mission Dolores playing the stick game. Reprint of Louis Choris’s illustration, shown inside the Mission Museum.

I will touch upon this topic more (hopefully in the near future), but I must briefly mention how strikingly similar these stick games look to traditional Korean game sticks called, “yuts.” Maybe all historical games look similar, but I find it fascinating that both Korean yuts and Ohlone sticks have cross markings on them and each stick has both “up” and “down” sides.

Anyways, “The Ohlone Indians: The Indian Way” room was a stellar display of Native American artifacts, with maps, illustrations and explanatory notes everywhere. In fact, it was one of my favorite rooms at the museum!

There was also a section dedicated to activist Dolores Marine Galvan. Descendant of the Ohlone of Mission San José, she worked with Rupert Costo of American Indian Historical Society (AIHS) to protect the Ohlone Indian Cemetery. They successfully prevented the Department of Transportation from constructing a freeway through the historic cemetery.
Photo of Chief Tarino at Alisal Rancheria, 1887. Chief Tarino was the leader of Chochenyo Ohlone who lived during the Mission’s early and later years. When the Mission was secularized, he formed a village called “Alisal” to foster Ohlone culture. He passed away when he was 120!
Cool genealogy chart of direct descendants of a Bay Miwok man and Ohlone woman. I read that hundreds of people in the Bay Area today are descendants of Miwoks and East Bay Ohlones.

St. Joseph Room & Chapel of Healing

After “The Ohlone Indians” room, you get to Rooms 6 and 7. They are more religious than historical, catering to Catholics and their respect towards St. Joseph. The sixth room, titled “The Life and Miracles of St. Joseph,” details the life of St. Joseph with paintings and objects while the seventh room is an actual chapel inside the Museum:

Entrance to St. Joseph Chapel of Healing.

During the Gold Rush, this chapel was used as a store until it was remodeled into a chapel in 1950 under the leadership of Reverend John A. Leal. Under the leadership of Pastor Anthony Huong Le, the chapel was renovated and renamed “St. Joseph Chapel of Healing.” I read that this space has been deemed sacred, formally blessed in 2024, and visited by Catholic pilgrims.

Inside St. Joseph Chapel of Healing. August 2025.

Just like the other Catholic chapels I’ve visited, there were these panel artworks on the side walls, showing the final moments of Jesus’s ministry on earth:

14 panels on the walls of St. Joseph Chapel of Healing. They portray scenes from Jesus’s crucifixion before His resurrection.

After viewing the decorative sanctuary and wall art, I exited the chapel, totally unaware that there was another room inside the chapel! Called “Sacristy and Sacred Vestments,” Room #8 is accessible only once a month during the Chapel’s monthly Mass. You can view sacred vestments and historic items stored in the sacristy every month on the 19th (except Sundays) at 8 AM during the Mass.

So if you’re interested in viewing these sacred and historic objects, you’ll need to schedule your visit not by the Mission and Museum hours but by the monthly Mass time.

Last Rooms (Room #9, #10 & #11)

The remaining rooms of the Mission Museum are titled the following: “The History and People of Mission San JosĂ©,” “The Making of the Mission San JosĂ© Church,” and “Mission San JosĂ© of Today.” They showcase drawings, artifacts, and information about Mission San JosĂ© during its Rancho Years, the original 1809 construction as well as the destruction and subsequent reconstruction in 1985, and its active role in Fremont today.

The Rancho Period

Among the Rancho Era artifacts, there was the St. Joseph branding iron that marked objects and livestock of the Mission with its logo, “J.”

Check out this wooden livestock branded with the “J”:

Branded wooden horse (left bottom) displayed along other Rancho Period items.

Gothic Church & Construction of Replica

After a major earthquake in 1868 destroyed the original 1809 adobe church of Mission San José, a wooden church was built in Gothic style and used until the adobe church could be rebuilt.

Photos of the old Gothic church displayed in “The Making of the Mission San JosĂ© Church” room. It’s fascinating how different the Mission San JosĂ© Church looked for almost a century!
Old pew and “pew rent” name cards from August 1982, before the Gothic church’s move to San Mateo, CA.

When the authentic replica was completed in 1985, the Gothic church was moved to San Mateo after being used for 96 years. Per the St. Joseph Catholic Church website, the replica is “one of the most authentically reconstructed of the California missions,” made with as much of the original materials and building methods as possible.

More artworks, artifacts, and photos from “The Making of the Mission San JosĂ© Church.”
Original adobe brick, roof tiles, and other remnants of the destroyed church displayed.
Remnant of hand-painted and stenciled wallpaper from old Mission Church. Produced in France, c. 1810-1830.

Vietnamese Americans’ Contributions

Photos of Mission San José Church being reconstructed.

One thing that stood out as I walked through the final rooms of the Museum was the role Vietnamese Americans played in Mission San JosĂ©’s modern history. Along with Pastor Michael Norkett and art conservator Sir Richard Menn, Vietnamese American Huu Van Nguyen participated in the rebuilding of Mission San JosĂ©. Vietnamese Americans are also among the many who have donated to and volunteered at Mission San JosĂ©:

Wooden plaque honoring the donors and volunteers of Mission San José.

And lastly but not least, the current priest at Mission San José is the Vietnamese American pastor, Fr. Thi Van Hoang.

Video showing Pastor Thi Van Hoang speaking. Inside the “Mission San JosĂ© of Today” room.

Visiting the Mission San José Church

Front view of Mission San José.

There was so much to see, read, and take in inside the multi-room museum that I was literally worn out by the time I came back out to the Pilgrim Center. But the real deal, the adobe Mission San José church, remained yet to be explored. After spending hours in the Mission Museum, I finally made my way through the Pilgrim/Visitor Center to the Mission Church.

*You can only access Mission San José from its side entrance, which can be accessed through the Pilgrim/Visitor Center.

Per California Missions and Presidios: The History & Beauty of the Spanish Missions by Randy Leffingwell, the above buttress wall sections are all that remains of the old convento, or priests’ living quarters (146). And apparently, the Gift Shop and Museum used to be all connected to the Mission Church!

Inside the Old Mission

This is the side door and the only entrance to the old Mission Church:

*No flash devices are allowed inside the Church.

Behind the heavy wooden door lies this beautiful scene inside:

On the left, behind the front entrance door were these relic-like items. There were no accompanying captions or descriptions, but I think they were/are used for religious purposes:

I saw more items stored above the front entrance, but it was inaccessible to the public:

According to the St. Joseph Catholic Church website, the box-like structure on the right is a Spanish-style organ called, “Rosales Opus 14 Organ.” It was ordered back in 1819 and finally arrived at the Mission in 1989 (after 171 years!)

Down the Aisle (Feat. Religious Artworks)

As I made my way down the chapel under brightly-lit chandeliers, there was something to marvel at wherever I turned:

Lovely cystal chandeliers against a wooden, white-washed ceiling.

I mean, just look at the intricate details of the hand-painted wall art! 👀

There were other paintings hung down the chapel, too. I think the top middle painting depicts Joseph, Mary, and baby Jesus and maybe, the rest depict Franciscan missionaries and saints:

But I’m not positive as there were no accompanying captions or explanatory notes.

There were also these sculptures of Christ, St. Joseph and a Franciscan missionary (I’m guessing JunĂ­pero Serra):

…and this statue of Christ on one of the side altars (called “Ecce Homo”), which I read is the original from the 1809 adobe church!

Ecce Homo, side altar near the front entrance door.

 Sanctuary

But of course, the highlight of the chapel was the sanctuary.

The altar consisted of a gilded reredo featuring a statue of St. Joseph and Christ on the cross in the middle, accompanied by candles and angels (both with and without bodies). Above was a painting of Jesus, under sculptures of a dove (representing the Holy Spirit) and God the Father.

Sculptures of God the Father and God the Spirit (dove) above God the Son, Jesus. Flanking the middle are paintings of Christ on the cross and the Holy Family of Joseph, Mary, and Jesus, also below the Holy Spirit and God the Father. For more photos of the sanctuary, visit the official Mission website HERE.

Historic Sight to Behold

Stepping inside the old Mission Church was such an experience! I so appreciated the fact that the replica church was rebuilt to be as historically accurate as possible, carefully following the Mission’s inventories from the 1830s and 40s and using as much of the original materials and methods as possible. Kudos to the conservator and restoration craftsman Sir Richard Menn and his assistant Huu Van Nguyen! 👏👏👏

The interior of Mission San JosĂ© was definitely unique from the other mission chapels, with its green, crimson, and yellow palettes, gilded accents, flashy mirrors and crystal chandeliers. It was such a sight to behold; I can’t imagine how stunning it would have been for those living in the 1800s!

Mission Patio Garden/Cemetery

In between the Mission Church and Pilgrim Center/Museum is the Mission Patio Garden. It’s a quick walk from the Mission Church or the Museum; you just have to follow the sign:

The Mission Patio Garden was a small area featuring a running fountain, benches with dedications and a statue of JunĂ­pero Serra.

Per a plaque on the ground, the fountain, patio, and garden are “dedicated to the glory of God,” and commemorates the contributions of the “Abel, Donovan, Morgan, and Jelley families.” It was also a historic cemetery where early settlers, World War II heroes, and other individuals were interred. Many others are buried below the Mission church, including many Spaniards and Robert Livermore, whose grave is marked inside the renovated chapel:

Marble grave marker of Robert Livermore. Born in England, he became a prominent Californian ranchero. The city of Livermore is named after him.

More Cemeteries

Even more are buried in the Mission Cemetery, which is the larger cemetery on the other side of Mission San JosĂ©. It was gated, so I think it’s off limits to the public like the cemetery at Mission Santa Clara.

And there’s also a separate cemetery located about a mile from the Mission where thousands of Ohlones are interred. It’s the historic cemetery that activist Dolores Marine Galvan and Rupert Costo of American Indian Historical Society (AIHS) protected from the construction of a freeway.

It took me about 20 minutes to walk down Washington Blvd. from the Mission Museum to reach the Ohlone Indian Cemetery:

According to online sources, there’s a grave mark that commemorates 4,000 Ohlone Indians buried at the site. I couldn’t see the plaque from the outside, but I did get to see wooden signages (pictured above). There’s also a shopping center right across the street called “Ohlone Village,” which I think is named in their honor:

Final Thoughts

Mission San José, August 2025.

Visiting Mission San José in Fremont was such a treat! Not only did it have an entire building dedicated to its history, a ton of artifacts, a gift shop, and restrooms, but it also had such unique charm. From its iconic white block of a chapel to its beautifully reconstructed interior, Mission San José was a delight to explore.

One thing that I personally found distracting as a history lover was the presence of nonhistorical artifacts and paintings. They made it confusing to know which artifacts were or weren’t historical. I think it’d be helpful if the Museum only displayed real artifacts or if the replicas were clearly marked as “replicas.” This might not be of importance to others, but I found it a shame for replicas to muddy the actual artifacts on display. Because historical artifacts have utmost value and meaning if they are the actual objects used by those in the past!

What I did love were the QR codes and dioramas that enhanced my self-guided tour as well as these arrows that helped me navigate through the museum. Also, “Acknowledgments” posted alongside informational on-pagers were great as they listed out the sources behind the artifacts and information displayed:

Mission San Jose Today

Once where cultures collided, the parish of St. Joseph Catholic Church, Mission San José of the Diocese of Oakland is a historic site of faith and sacrifice, of musicians as well as local legends like Estanislao. Rebuilt and preserved by the talents and contributions of many, its story continues as a place where all gather and unite under Christ.


P.S. Today, five flags fly outside the Pilgrim Center/Mission Museum. They represent the entities that owned/ruled over Mission San José throughout its 228 history:

  • Spain (representing Spanish Empire)
  • Vatican City (representing the Catholic Church)
  • Mexico
  • California
  • and the U.S.
View from the Pilgrim Center/Museum, looking down towards the Bay.

P.P.S. After the 1868 earthquake, three of Mission Church’s original bells were transferred to the Gothic-style church while the fourth bell was given to a church in Oakland and recast. Today, the Mission Church houses all four of its bells, and they ring on special occasions. 🔔

These bells were cast in Mexico and hung in the original 1809 adobe church. Closeup photos of the bells can be viewed on the official Mission website.

P.P.P.S. And here are aesthetic photos of Mission San José to wrap up the post!


Footnotes

  1. “El Camino Real,” which means “The Royal Road” in Spanish, is the 600-mile path connecting California’s 21 Spanish missions. ↩
  2. “Neophyte” is a term for baptized Christian Native Americans. ↩
  3. “Californios” is a term for the Spanish-speaking Catholics who lived in California when the region was under Spain and Mexico (from 17th to 19th centuries). ↩
  4. These restricted visits were called “paseos.” ↩

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Javier Zamora’s Solito: A Memoir Like No Other

Although frequenting bookstores is a great hobby of mine, I try my best not to buy more books. For one thing, I have too many books to read at home that I haven’t gotten to yet. And my other reason for banning myself from impulsive book purchases is the fact that I can, and should, make more usage of libraries that abound nearby. Yet, I recently bought myself another book: Javier Zamora’s Solito.

I have a tendency to read genres I naturally gravitate towards, like historical fiction, classics, and young adult fantasies. So getting a copy of Solito: A Memoir was an out of the ordinary decision. (And, might I add, choosing to read the nonfiction for a book club amidst a jam-packed schedule was almost a form of self-torture.)

Despite the stacks of unread books haunting me at home along with the unusuality and impracticality of my decision, I so, so do not regret it.

Because Javier Zamora’s Solito is a memoir like no other.

Synopsis of Solito:

Solito narrates the true story of Javier Zamora when he was just nine-years-old and the journey he made from El Salvadaor across Guatemala and Mexico to the United States to reunite with his parents who had migrated before him. It details Javier’s life before, during, and after the long, dangerous “trip,” the people he had to leave behind as well as those he met along the way.

Photo by Beau Horyza.

Reflections

I didn’t know what to expect from this book other than the fact that it was going to be a story about a boy who immigrates to the states. Never did I imagine how detailed, how honest the account was going to be. Not only did it record every bit of the innocence and vulnerability of Javier Zamora’s younger self, but also it zoomed in on the immigrant experience, specifically those of migrants who cross the U.S.-Mexican border. It revealed how illegal immigration isn’t just a term and concept but a streak of hope for people who aren’t simply “criminals” or “lawbreakers” but rather individuals trying to survive. Many of whom, like Javier, Chino, Patricia, and Carla, are trying to reunite with their families in the land of opportunity and hope.

For someone like me who doesn’t know anyone who has crossed the border to come to the states or have read any accounts detailing such journeys, Solito was, to say the least, eye-opening. I never knew the details of these long journeys, and how they were matters of life or death, success or failure, joy or despair, and reunion or separation.

One of my fellow book club member pointed out that this story focuses on one boy and the people around him, which is just a small fraction of the countless undocumented immigrants and numerous migrants who don’t make it to their desired destinations. Her statement made me realize how many other stories of success, failure, misfortune, and grief we don’t know about.

Photo by Lisha Riabinina.

Innocence of a Child

Photo by Aaron Burden.

What was painful to notice was the innocence of the author before the great journey and his loss of it afterwards. The nine-year-old Javier refers to his upcoming journey to the states as a “trip.” That’s what all the adults around him referred it to. He knows neither better nor what to expect.

But slowly, the “trip” becomes more than just a trip Javier embarks on to reunite with his parents. It’s saying good-bye to everything he loves, his home and family in El Salvador, to his friends, school, and everything he knew all his life. Suddenly meeting a group of strangers who he needs to depend on and pretend to be families with. Riding hours-long bus and boat rides. Living like a shadow hiding from the locals, stuck inside some dark shelters. Pretending to be Mexican, getting caught and having guns pointed at by soldiers. Walking across deserts for days, under the scorching sun without water and in the middle of the freezing night.

And Loss There Of

Initially, Javier repeatedly refers to the “cadejito.” According to his grandfather, this legendary creature would protect and guide Javier. He prays to it throughout the journey (for instance, on page 79 and 82).

But on page 323, Javier says to himself:

“Last time, I listened for Cadejo’s whistle; now I know for sure he doesn’t exist. Bad things keep happening. He’s just a myth. Just like Marcelo, Cajedo is full of lies. If Cadejo was real, we wouldn’t have gotten caught. Patricia wouldn’t have gotten hurt. Coco Liso would still be here with us. Our prayers haven’t helped either.”

It was heartbreaking to see this transition, from Javier believing in the cadejo to his losing faith and innocence. To watch this young boy (more sensitive than an average nine-year-old per description, I think) undergo hardship after hardship that is overwhelming even to an adult.

Photo by Tim Marshall.

Beautiful Imagery

Photo by Tom Gainor.

Javier Zamora immerses the readers into his deepest memories not only through the raw details but also through his talented use of imagery.

I mean, just take a look at this scene where Javier parts ways with his grandfather:

We stand by the road, the banana trees on either side, raindrops still on the leaves, sliding down, dropping to the ground. It rained earlier in the day, but these drops haven’t evaporated. Grandpa’s eyes are doing the same, trying to hold his tears inside their corners (Zamora 71).

And his descriptions of the desert are beautiful and ingenious at the same time:

Everything is awake. The moon lights the ground silver and blue. Wispy clouds dance in the sky, white ones that look like silk. With this wind and with this lighting – the blue, the grays – it feels like the bottom of the ocean… The grass is seaweed. The cactuses are coral. We’re looking through a submarine’s small circular window… On top, the clouds are sea foam. The ground sparkles with seashells and pearls (Zamora 298).

Child’s Imagination

Another thing that struck out to me (and I appreciated very much) were the imaginative descriptions from the nine-year-old Javier. Just take a look at these cleverly brilliant descriptions from the young boy’s perspective:

The stars begin to dot the sky. I like to think there’s a giant holding the earth in one hand, a needle in his other hand, poking the sky there, there, and there – (Zamora 135).

And I couldn’t help but smile at the names Javier gave to different cacti when he spotted them during his trek across the desert: “the Spikeys,” “Cheerleader bush” with flowers like “little yellow pom-poms,” “Crayon bush,” and “Paint-Roller Fuzzies,” “Mascara-Brush Fuzzies,” “Thorny Tentacles,” and “skinny green smooth tree” that Javier nicknames “SGS tree.”

Photo by Joe Cook.

There are countless other examples of uniquely clever imagery that Javier uses throughout the book, like when he describes the line of migrants as “the centipede” or when he says that cactuses that look like people “rise from the dirt like giant dark-green Cheetos” (331).

But sometimes, they were gut-wrenching to read, like when he describes the people in prison, including himself, as “monkeys”:

The monkeys in here stare, they sleep, they doze. This cage. This silent and stinky room. The monkeys next to the door wait for their names to be called (248).

Theme of Loneliness

Photo by Majestic Lukas.

Though my post is getting a bit long, I must point out what I felt was one of the most important themes of this book: loneliness. The book starts with a lonely Javier. Despite his being with his grandparents, aunt Mali, friends and relatives, he naturally and understandably longs for his parents constantly.

And his loneliness resurfaces when he has to travel with a group of strangers by himself. He holds his pillow in one arm, pretending the pillow is his Mom or aunt Mali (78). The young Javier also repeatedly mentions how he wants to hug, saying that he wants to “hug anyone like Coyote hugged us for good luck” (201)

I think this quote best shows the acute loneliness he experienced during the long and difficult journey:

I want to cuddle her [aunt Mali] right now. Look at the stars and be far away from these people…I hate watching Patricia and Carla help each other before bed. Patricia braiding and unbraiding her daughter’s hair. I want that with Mom. With Mali. I just want a hug (183).

With all the hardships and drama that ensued, I honestly forgot about this major theme and was busy following Javier’s journey, rooting for him and the people around him as they repeatedly failed to rejoin their families in “La USA.” But the theme dawned on me again when this young boy named a certain type of cactus as “the Lonelies” (217) and when he wished not to part from strangers who had become a true family:

I want to take my new family with me to California, learn how to tie my shoes and show Chino I can do it like him. Chino, my older brother I never had… I love them. I really love them. A pond, a lake in my eyes. I don’t want to let go. None of us wants to let go. A river (372-73).

Integration of the Spanish Language

Lastly but certainly not least is the usage of Spanish throughout the book. Because I had studied some Spanish, it wasn’t difficult to understand most of the time but I did have to look up online sometimes to figure out what Javier and the people around him were saying. But I think the implementation of Spanish in dialogue as well as in Javier’s internal thoughts (like the word “tambiĂ©n” and “La USA”) made this memoir all the more real, easy to immerse into. And I think the Spanish phrases and words, even the punctuations, are great integrations that honor the author’s cultural background and heritage.

Photo by Nicole Geri.

Lasting Impact

My book club leader told us that Solito stayed with her for a long time after her first reading of it, and it led her to designate it as our first book club book of the year.

I can confidently say that it has left such a strong impression on me as well, that it has expanded my understanding of the immigrant experience. It stayed with me so strongly even after I finished that I had to visit an El Salvadoran restaurant and mull over it while eating pupusas:

Avocado salad and pupusas at Cafe Platano.
Pupusas cut in halves:
Queso con Loroco (Cheese and Salvadoran flower) and Frijoles con Queso (House black beans & cheese)

And I’m pretty sure that Javier Zamora’s memoir will leave something in you as well.

Conclusion

Javier Zamora’s Solito: A Memoir is a powerfully moving, achingly raw account of a nine-year-old boy. It’s a collection of memories of longing, pain, and loneliness, so vivid and overwhelming even to adults. It forever changes the reader, whether by enlightening, moving, or just leaving a mark – an impression that lingers even long after.

Photo by Tim Umphreys.

P.S. The afterward of the book was fascinating to read, as Javier Zamora shares what his parents had experienced while he was going through the dangerous journey. And it was so touching to read that he wrote this memoir in hopes of reuniting with Chino, Patricia, and Carla.

P.P.S. HERE‘s a video of Javier reading from Solito and HERE is one of his talking about the memoir.

P.P.P.S. The Salvadoran restaurant I visited is called Cafe Platano in Berkeley, CA. Their pupusas and avocado salad were delicious! 😋