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Cary Fukunaga’s Jane Eyre (2011): An Aesthetic Interpretation

When the film Jane Eyre, directed by the American filmmaker Cary Fukunaga, came out in 2011, it instantly drew my attention not only because it was another adaptation of Charlotte Bronte’s timeless classic, but also because the film looked simply beautiful. But as I was preoccupied with other things, I could not watch it that year. It was only today (10 years later!) when I finally took the time to watch the DVD I had purchased from Amazon that I watched the 2011 Jane Eyre. And here are my honest thoughts on the film.

Official poster for Jane Eyre (2011). Image from https://www.imdb.com/title/tt1229822/mediaviewer/rm4096362240/?ref_=tt_ov_i

First and foremost, the film is simply beautiful.

If anyone were to ask me what the best thing about this adaptation was, I would tell them that the cinematic atmosphere and the aesthetics surpass any other version. It is, I think, very similar to the 2005 Pride and Prejudice (directed by Joe Wright) in that both films aren’t very accurate as they stray away from the details of the text but are astoundingly aesthetic, if not the most aesthetic versions of the classics.

Jane Eyre (2011) and Pride and Prejudice (2005) are both masterpieces in terms of aesthetics.

It was also interesting to see the film start with Jane running away from Thornfield and going back in time to show her as a little child at Gateshead Hall, her time at Lowood with Helen Burns, and her stay at Thornfield, including the fateful wedding day. Even though the film approaches the plot in such a fresh way, I personally disliked how many details in the movie were altered from their actual source: Miss Temple was erased from the story, I believe, along with Miss Oliver (one could say she was mentioned in an obscure sort of way), and other characters I could not recognize, such as Mary Rivers.

Other details were changed as well, such as how Jane tells Mr. Rochester about her relatives in the beginning while in the novel she doesn’t initially. And in the film, Jane doesn’t suspect Grace Poole for the creepy laughing or for the subsequent incidents that occur since Grace Poole doesn’t really come out until the day the secret is revealed on the wedding day. These details might appear trivial. But combined altogether, they drastically alter the story from its original.

Despite the fact that the cast is an ensemble of extremely talented, renowned actors, including Mia Wasikowska, Michael Fassbender, Jamie Bell, Judi Dench, and Sally Hawkins, it didn’t feel like that of Jane Eyre.

I thought Mia Wasikowska was great as the titular protagonist – her performance was moving and I could see her as Jane. And Jamie Bell was an okay St. John Rivers. But as for the rest, they didn’t really seem to belong in the classic. Michael Fassbender’s monotonous way of speaking sometimes made me question whether Mr. Rochester really was interested in attaining Jane’s love. Perhaps to other viewers he did, but as I have watched the 1983 version first, his Mr. Rochester appeared less passionate, less desperate for Jane’s attention and love than that of Timothy Dalton. Timothy Dalton’s portrayal convinced me that Mr. Rochester was desperate to gain Jane’s attention from the very beginning. The way he fidgets, the way he looks at Jane, and the way he speaks all hint at it whereas the Rochester Fassbender enacted doesn’t.

As for Judi Dench’s portrayal of Mrs. Fairfax, I imagined Mrs. Fairfax to be more friendly.

The actress gives off an air of cool dignity even when she doesn’t mean to (which made her an excellent Lady Catherine de Bourgh in the 2005 Pride and Prejudice), so she didn’t really seem an ideal Mrs. Fairfax. I also felt Sally Hawkins’s Aunt Reed not as cold-blooded and heartless as the Mrs. Reed described in the novel. They are both incredible actresses, but I did not think they were fit for the roles depicted in the book.

Although it is alright for films to be different from its source, I think for timeless classics like Jane Eyre, which its major audience will inevitably be its literary fans, straying from its source material isn’t very effective or wise, at least in assuming the status as the “best” adaptation. To be completely honest, I stopped watching the 2011 film halfway through because I lost interest in it. Mr. Rochester didn’t seem to love Jane, and when he did appear so, it felt abrupt. I had to force myself to resume despite the alluring aesthetics of the film.

Official poster for the film Jane Eyre released on March 11, 2011.

I prefer the 1983 Jane Eyre to the 2011 adaptation, because the cast feels closer to the actual characters from the novel and because it adheres so carefully to the text in an effective way.

It’s so faithful to the novel that it even includes the scene where Mr. Rochester disguises himself as the old Gypsy woman! However, as I would sometimes watch the 2005 Pride and Prejudice, I would watch the 2011 Jane Eyre whenever I have time to spare. But in both cases, I must say the older televised versions far surpass the newer films.

Here is a clip from the 2011 Jane Eyre that I consider to be the best moment in the film:

https://youtu.be/xM_4IEnNCMM
According to YouTube, I am not the only one who considers this scene the best in the film! It is powerful… Best moment enacted by Michael Fassbender’s Mr. Rochester.
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Jane Eyre (1983): The Perfect Adaptation of a Classic Masterpiece

Jane Eyre drawn by The Time Traveler.

I’m happy to write that I have finished Jane Eyre just now. And boy, was it a fun literary ride! From a dramatically stopped wedding to the burning of Thornfield Hall, the last half of the novel was exhilarating (and heart-wrenching) as well as sweet when everything ended peacefully.

From the BBC TV Mini Series Jane Eyre (1983). Image: BBC Video.

Upon my rereading the classic, I can’t help notice the very religious undertone of it.

Jane Eyre feels like a testimony of a devout Christian. Jane narrates her life story from the beginning to end with much references to her faith, and the novel even ends with the words of the very zealous St. John Rivers. I personally like it very much and find it inspiring. (And this religiousness of the popular classic reveals how Christian 19th century Western societies were.)

And as an ardent fan of the novel, I created an image of Jane Eyre.

It wants more artistic skills and accuracies from formal training, but I’m somewhat pleased with the result. My reference for Jane is Zelah Clarke from BBC’s 1983 Jane Eyre. 🙂 The pictures hanging in the back are a silhouette of Edward Rochester and a caged bird, which is referenced in the novel.

As mentioned in my previous post, I’ve been watching the 1983 Jane Eyre (BBC TV series) while finishing the book.

It was FANTASTIC. The actors delivered incredible performances (though everyone did, the ones that stood out for me were those depicting Jane Eyre (Zelah Clarke), Mr. Rochester (Timothy Dalton) and St. John (Andrew Bicknell)) and the casting was PERFECT – the producers and the director NAILED IT! I really do not have any complaints on the entire series, as they have stayed so true to the actual novel. I would really like to purchase the DVD of the TV show. It is THAT good.

If you are a fan of Jane Eyre and haven’t watched the 1983 version yet, here is a short clip so you can have a preview of how good, how close to the original text it is:

But the TV series is incredible because its source, the novel, is an incredible piece of writing written by the gifted English writer.

Jane Eyre is truly an inspirational story about a young woman who, orphaned and unloved as a child, develops fortitude, faith, and independence through hard work as well as friends she meets along the way to rise from tribulations and, in the end, finds her home, happiness, and love.


P.S. I would love to do a post about Mr. St. John Rivers. I have much to say about the character! (Including how his name is not pronounced as “Saint” John – but rather “SIN-jun” in the UK! And about his unrealized love towards Miss Rosamund Oliver – it was pretty tragic.)

Miss Oliver (Moira Downie) and St. John Rivers (Andrew Bicknell) from the 1983 Jane Eyre. Image: BBC Video

*Check out my previous post on Jane Eyre HERE.